6 Asian jewellery brands that are taking over your feed in 2026

If there’s one trend that I am most excited for 2026, it’s the return of statement-making, maximal, look-at-me jewellery. 

Jewellery is no longer the final touch, but has become the starting point, and more often that not, the outfit itself.  

Most women still treat jewellery as an afterthought. In my sessions, I place a strong emphasis on accessories because the right piece can do more heavy lifting than an entire outfit. I always tell my clients they don’t need a wardrobe overhaul to look on trend; the right piece of jewellery can completely change how their outfit feels.

I’m also loving the return of sculptural silver, paired with a more modern approach to metals. Think molten finishes, fluid forms, bold cuffs and architectural shapes. Mixing metals is key here. Combining gold and silver, whether within one piece or across a look, adds depth and instantly makes jewellery feel more current and styled.

And it’s not just about the piece itself, but how you style it. Think: wide cuffs worn over sleeves, torque necklaces framing the neckline and bold brooches. The latter are also being styled far more creatively, from collars and necklines to belts, waistbands and even layered together to create a focal point.

Speaking of unexpected comebacks, pearls are no longer restricted to your grandmom’s wardrobe: they’re now oversized, irregular, baroque or mixed with metal and cords. At the same time, crystals, coloured stones and shell-inspired pieces are adding a more expressive, styled dimension to jewellery.

What makes this shift especially interesting is that Asian brands are not just following these trends, they are leading them. There is a clear focus on design, craftsmanship and pieces that feel intentional rather than decorative.

Here are six Asian jewellery brands currently on my radar that are not just beautifully crafted, but modern, wearable and totally on-trend.

Ashepa

Ashepa, founded in Singapore but rooted in Africa’s deep jewellery-making heritage, creates pieces that feel tactile, grounded, and quietly statement-making.

What draws me to the brand is its use of cord, texture, and material—there’s a rawness to the pieces that feels intentional rather than overly polished. It aligns naturally with the rise of the long pendant necklace, but in a way that feels more organic and less trend-driven.

The Penda Disc cuff, crafted in metal and horn, is a standout. It’s the kind of piece I use when an outfit needs structure—especially when layered over full sleeves.

How to wear it:
I tend to pair Ashepa with softer fabrics—linens, cotton, fluid silhouettes—and let the jewellery add contrast. A long pendant or a cuff is usually enough to anchor the look without overcomplicating it.

Bohème by Véro

Singapore-based Bohème by Véro, worn by the likes of Doja Cat and Rosamund Pike, is instantly recognisable for its bold silhouettes and slightly undone aesthetic. Each piece is handcrafted, and you can see it in the way the gold is manipulated and the stones are set—nothing feels too polished, which is exactly what gives the jewellery its character.

The brand works across multiple trends. You will find long metal necklaces and statement pendants, reimagined pearls, and torque necklaces that align with the move toward structure.

What I particularly like are the metal cuffs, often detailed with gemstones. They’re strong pieces that hold their own and work especially well when styled over sleeves—a simple shift that immediately makes an outfit feel more considered.

How to wear it:
This is not a brand I would over-style. Let one piece lead—a cuff or a statement necklace—and build around it. It works just as well with crisp tailoring as it does with softer, more textured fabrics.

Misho

Founded by India-based Suhani Parekh, Misho has become a favourite not just with Bollywood stars, but also global names like Zendaya and Beyoncé. Parekh approaches jewellery almost architecturally—her pieces feel considered, sculptural and directional without being overly ornate.

For me, Misho is one of the strongest expressions of sculptural silver right now. The forms are fluid yet defined, and they sit on the body in a way that feels intentional rather than decorative. Their brooches, in particular, tie in nicely with the return of more structured styling.

How to wear it:
A single Misho piece can shift the entire tone of a look. I often pair it with clean tailoring to let the shape stand out, or use it to add edge to softer silhouettes.

Outhouse Jewellery

Outhouse is bold, glamorous and unabashedly high-impact. It’s a brand I think of when the jewellery is meant to be seen—not just noticed, but to anchor the entire look.

What stands out is their use of structure: bold cuffs, dramatic earrings, statement brooches. There’s a certain theatricality to the pieces, but they’re still wearable when styled intentionally.

How to wear it:
This is not jewellery to blend into an outfit. I use Outhouse when I want to build a look around the piece—either to lift something minimal, or to lean fully into eveningwear and richer fabrics where the jewellery matches the drama.

Del Rio Jewels

Del Rio is a Singapore-based brand, with pieces handcrafted in Turkey and inspired by travel and culture.

What draws me to it is the use of colour—crystals, gemstones and sea-inspired elements that feel vibrant without tipping into costume. Pieces like the Hala Rainbow Torque necklace balance colour and structure in a way that’s surprisingly wearable.

There’s also an interesting mix of materials, from 14K gold vermeil to acrylic, which keeps the collections feeling expressive and slightly unexpected. The Island Noor bangles, for example, are an easy way to lean into statement jewellery without overthinking the look.

How to wear it:
I tend to use Del Rio to bring colour into an otherwise neutral outfit, or to pull a look together by echoing tones across the jewellery and clothing.

YVMIN

YVMIN takes a more experimental approach to jewellery—this is where things get a little less polished, a little more playful.

What I find interesting is how they reinterpret pearls. Instead of classic or delicate, they’re oversized, irregular, and often combined with unexpected materials. It’s a more fashion-forward take that doesn’t try to feel timeless—and that’s exactly the point.

How to wear it:
This is not everyday jewellery. I use YVMIN when a look needs a bit of disruption—one piece is usually enough to shift the entire outfit and make it feel more directional.

About Moushumi: 

Moushumi Khara is the personal and interior stylist behind The Lifestyle Editor. She specialises in styling real women- particularly those in leadership positions who don’t have the luxury of time, unlimited fashion resources, or access to extensive fashion archives. Offering tailored sessions from body shape analysis to wardrobe edits, Khara understands struggles with body image, lifestyle changes, and the challenge of finding practical, stylish solutions while managing busy careers and schedules. She is currently a personal shopper for Paragon, Singapore.